Interviews

Darren Partington

Daz 808 State

I’ve had the pleasure of meeting you and Andrew several times over the years, DJing at some of the same nights and back in 1996 I was on your show where you played a couple of tracks off a DAT I brought in.

Both you and Andrew were such an important part of life back in the 1990s as DJs on radio, in clubs and as members of 808 State. Not only were you a huge inspiration to many but you shaped the record collections of so many people in and around Manchester and further afield back then.

SH: When Sunset Radio launched in October 1989, how did you come to be a part of it, were you asked or did you have to apply to be presenters?

DP: We already knew Mike Shaft from going to a lot of the nights he put on and when he asked if we’d be interested in doing a show on Sunset, we said yeah OK we’ll give it a go. Initially it was Martin Price, Graham Massey and Andrew and myself but the dynamic wasn’t quite right and it soon became just me and Andrew as we seemed to bounce off each other much better.

SH: Tuesday nights 9-12 was the original time slot and you managed to pack the show full of incredible music with the 808 State & Eastern Bloc charts and some of the funniest moments ever witnessed on radio – the home made listener jingles, the shouts, the problems, the club guide, dating agency and the banter between the music and of course Andy’s laughing monster! Those STA Travel adverts were absolutey class as well.

SH: I loved the way you would support local talent, featuring them on your show as either brand new artists or people that were already on the scene but needed a bit of a push. Two that come to mind are M.V.I.T.A. (Manchester Vibes In The Area) who had a four track EP that sadly never saw a release and Neukleotide – Hybrid that I heard you helped them get a vinyl release of that back in 1991 is that correct?

DP: Yeah I financed Nuekloetide as I really liked their sound and what they (Shak & Mick Edge) were about – using live drums and incorporating samples, synths and drum machines too.

SH: It must have been great having a platform to broadcast weekly with the emerging music from the US and Europe which made up a large part of the show via Eastern Bloc and the ability to plug The Soundgarden which I have to say was one of THE best clubs in Manchester (I remember how hot it was in there with the black tar dripping from the ceiling) before those big industrial fans were installed!

SH: The all-nighters were incredible with some really nice slower tracks getting dropped such as Dr Alban – No Coke and Y.B.U. – Keep It Up.

SH: Djing on Radio or in Clubs – which did you prefer?

DP: Clubs as you got to see all the immediate reactions. Radio to us was funny as we weren’t really proper presenters you know, we just had a laugh and played great tunes each week.

OK, some quick fire questions

SH: Favourite track of all time?

DP: C.O.D. – In The Bottle

SH: Favourite club you’ve DJ’d at?

DP: The Soundgarden

SH: Best club you’ve been to as a punter?

DP: Fabric, London

SH: What’s your favourite food?

DP: Jamaican

SH: What’s your favourite tipple?

DP: Corona


SH: Where did you and Andrew first meet?

DP: At Youth Clubs in the early 80s

Spinmasters in action at the Salvation Army in Ancoats, 1985.

SH: How has life changed for you since Andrew passed away?

DP: It’s been hard as he was my best mate and dealing with it in my own way, I just think of him being in the next room and that helps me get through.

SH: What’s next for you?

DP: Continue Djing wherever I get the chance to play and hopefully creating some new music in a different direction.

SH: Thanks again for taking the time out to do this, all the best and big love and respect for everything you’ve done over the years x

You can book Darren for DJ sets at this link.

DJ Mark XTC

DJ Mark XTC (real name Mark Mckinley)

I’ve known Mark since 1990 when I first met him at Spin Inn Disc Centre where he worked behind the counter of what I still consider the friendliest record shop. He would always treat everyone the same and have a stack of records that he’d play you – often just 10 seconds would be enough for you to decide “yes please!” and with each visit he got to know his customers tastes very well. Always aproachable and not at all elitist unlike some of the other shops at the time where they would hold back certain records unless you were part of some special inner circle! We shared a love of Hip Hop and scratching (we’d both entered the DMC Mixing Championships) and he would often practice some routines in the shop, always wowing customers with his incredible skills.

Being a key taste maker and having access to the right records went hand in hand with his work in the clubs and radio shows which saw him progress very quickly, playing all over the UK and then later as part of Mix Factory.

Here’s a link to his official bio.

I spoke to Mark about his journey over the last 35 years and after all that time he is still one of the nicest down to earth DJs and still as passionate as ever…


SH: Growing up, who were the first bands or artists you liked?

MM: I liked Level 42, The Specials, Tears For Fears – ‘Shout’ was the first 12” record I bought from Golden Disc in Oldham, but then I found Hip Hop with the likes of Jazzy Jeff, Tuff Crew, EPMD, LL Cool J etc.

SH: Where did you used to shop for your records before you worked at Spin Inn?

MM: I bought all my records from Spin Inn when it was on Cross Street, at first I went to Golden Disc, then BPM Records in Oldham, but unfortunately they didn’t have the tunes Stu Allan was playing on his Bus Diss show, Eastern Bloc when it was in Aflecks as well.

SH: What was your favourite record shop?

MM: Eastern Bloc when I worked there of course, because of all the things we accomplished when we worked there, but have a soft spot for Spin Inn, changed a lot of things when I went there.

SH: Apart from me always mithering you for records you didn’t have in stock but always managed to find for me (thanks!) did you have any other annoying customers haha and can you elaborate on life on the other side of the counter?

MM: Hahaha great question, erm, a few customers were difficult at times haha one of my favourite people who came into both shops was James Masters, he knew exactly what he was looking for and was particularly hard to please, but when you found the style of tunes he wanted, like others, he came back every week looking for something new.

SH: Ahead of landing the Mix Factory show on a Sunday night, you played on Sunset Radio originally filling in for 808 State on Tuesday nights when they were away – how did that come about?

MM: We were all close friends from the DJ circuit, mainly Darren & Andy, so when they were touring they asked Paul if we could cover them, the rest as they say is history.

SH: DJing in clubs or producing – which do you prefer and why?

MM: DJing over producing, I love making music, but mainly to make people dance or go sick to it, so it still boils down to DJing.

SH: If you hadn’t got into DJing and music, what would you have done?

MM: In school I always wanted to be a teacher, always loved maths, thanks Mrs Pickles (old maths teacher), it was in my school reports, so I think I naturally gravitated to that after I left the record shops.

SH: Favourite scratch DJs of all time other than our mutual hero, the GOAT aka The Magnificent Jazzy Jeff?

MM: DJ Craze, what he did with two turntables and a mixer showed why DJing is an art-form.

DJ Mark XTC (Xtra Tuff Cutta) @ DMC Mixing Championships, The Hacienda 1990


SH: What would you say is the best record to scratch with?

MM: Blapps Posse – Don’t Hold Back

OK, some quick fire questions;

SH: When you’re at home, what do you listen to?

MM: Everything really, from 60s to present day Dance Music, different genres of music, more often than not Dancehall, Reggae, Hip Hop and R&B.

SH: Favourite track of all time?

MM: I’ve got a few;

Tuff Crew – What You Don’t Know
Asmo – Jam The Dance
The Verve – Bitter Sweet Symphony
Massive Attack – Unfinished Sympathy
T-Coy – Carino

I could keep going haha!

SH: Favourite club you’ve DJd at?

MM: The Banshee Manchester

SH: Best club you’ve been to as a punter?

MM: Fabric

SH: What’s your favourite food?

MM: Chinese

SH: What’s your favourite tipple?

MM: Vodka & Red Bull

SH: What’s next for you?

MM: Keep pushing music, my students, and myself. Make more music, work with people from different genres and play in as many countries as I can playing Oldskool, Jungle and Drum & Bass.

SH: Thanks again for taking the time out to do this, all the best and big love and respect for everything you’ve done over the years x

Check out Mark’s most recent vinyl release on the mighty Suburban Base Records.

You can also catch DJ Mark XTC playing at the following events.

Moodswings – Works Of Atreus

Moodswings (real name Joseph Bernard II)

Moodswings – Works Of Atreus
Released on Atreus (AR 511) in 1991

A1 The Jazz Man
A2 Time Warp
B1 Happy
B2 The 6 Train


I first heard this on the 808 State show on Sunset radio. Darren Partington (Spinmasters) said just before it was played “This is education on vinyl”. It has remained in my all time top 3 records and I think the whole EP is absolutely incredible.

I asked Joe some questions about this release and his background:

SH: What music did you listen to when you were growing up?

JB: Growing up in The Bronx New York, I listened to many genres of music. My Father was born in Puerto Rico and my Mother was born in Harlem, New York City. Since I was a baby, I had a radio in my crib. It was the 70s. My home was filled with Salsa, Disco, oldies but goodies, Jazz, R&B, and Soul. Hip Hop was just beginning, so was House music. As a teen I gravitated to alternative groups such as Depeche Mode, Camouflage, New Order, etc. I also listened to Hip Hop groups like Public Enemy, and artists like Rakim and KRS-1. In addition to that, I did listen to Classical music which probably explains my love for piano and strings which is evident in some of my productions.

SH: What were you doing before you got into music production?

JB: I was born into music. It surrounded every aspect of my life. I briefly went to Fiorello H Laguardia High School for Music and Art in New York City and was a vocal major. I sang a few freestyle songs and performed locally when I was around 17. The connections I made along the way opened the doors for me in television where I began my career in broadcasting at the early age of 18.

SH: What made you decide to make this EP?

JB: I had been producing some Freestyle, Hip Hop, and Dance Music tracks for other artists. I was offered several music contracts that I was uncertain about. I was young and ambitious so I decided to start my own record label. I wanted to release music that I felt good about without being tied to a specific style. Moodswings – Works of Atreus was born.

SH: Tell me about what inspired you to write the 4 tracks?

JB: Inspiration for me comes from various sources. New York City has an eclectic source of inspiration. From dark tracks like The 6 Train (which I used to take from The Bronx to Manhattan), to tracks like The Jazz Man, were inspired by New York City vibes.

SH: Can you recall what equipment you used on the EP and was it produced at home or in a studio?

JB: The EP was produced in The Bronx in my home studio mostly on a Korg T3. It was transferred to reel to reel, edited and ultimately pressed to wax.

SH: What was the reaction to the release like in the US – did it have a similar impact as it did here in the UK?

JB: New York City is tough. I was independent so my resources were limited. I did some footwork and did get some love from local DJs and others around the country. Hot 97 in New York City played some of the EP on a show called Planet Tracks, and some clubs in the city also showed some love. Nothing compares to the love I received in the United Kingdom, especially in Manchester. The Hippodrome was my first experience in Europe where I witnessed the response to The 6 Train when played by Jay Wearden back in the early 90’s. The crowd was insane. It was surreal. Recently in Manchester Cathedral I once again got to witness the response, but now with an orchestra playing my composition. It was emotional for me. Manchester is something else. I will be forever grateful.

SH: There was a gap of 3 years and then you did a second release in 1994:

Mood Swings II – (Works Of Atreus) Sounds From Another Land
Released on JB Entertainment (JB 2121) 1994

This was a 5 track EP with a change in direction of Deep House/Tribal House.

What were you doing between 1991 and 1994?

JB: During this time, I was focusing on my television career while helping and producing for other artists on the side.

SH: What was the story behind this EP and why the change of label names from Atreus to JB Entertainment?

JB: The EP was yet another collection of work that I felt good about. As far as the label name change, I felt more comfortable using my initials…perhaps a bit more mature and a bit more confident.

SH: Any plans to release any more music in the future?

JB: Most Definitely!!! As I said before Scott, YOU were the catalyst for me producing the several tracks that I have done in the not so distant past. My studio monitors are staring at me now…waiting…wondering when…soon I say, very soon.

Joe Bernard currently works as Associate Director for Telemundo NBC Universal at Rockefeller Center in New York.

I’m really looking forward to hearing his new productions as this kind of talent doesn’t ever leave and sometimes it just needs a gentle reawakening.

Rhythm Doctor – Mister / Phuture

Rhythm Doctor (real name Chris Long)

‘DJ/producer/club owner from Birmingham (UK). Started his career DJ’ing at Coventry University events around 1977. Founded the Rhythm Clinic club in 1980. Moved to London in 1986, where together with Jerry Dammers he founded The Artists Against Apartheid club in Covent Garden. In 1988 joined Fantasy FM, a pirate radio station from the East End of London. Founded MAMA Records around 1993. Moved to Tallinn, Estonia in the late 90s. He has continued music production and remixing and in 2023 established a new record label, Almost Unknown.’

https://ra.co/dj/rhythmdoctor/biography

Rhythm Doctor – Mister / Phuture was released on Truelove [TIR 1302] in 1990.

This is such an incredible record. I first heard this on the 808 State show and went straight down to Eastern Bloc the next day to get it. I fell in love with B1 ‘Phuture’ which is a lovingly crafted piece of art using elements from Phuture – We Are Phuture & Art of Noise – Moments In Love (Beaten) it really is a masterpiece and has remained in my top 3 records of all time.

I spoke to Chris about this release to find out how it came about and here’s what he said:

“It was just one of those lucky moments trying to find a house beat to go with Art Of Noise for live mixing.
I tried it out & it worked so well. The Dungeons on Lea Bridge Road was the testing ground. I played there many Fridays in 1988 & 1989 with Linden C Rob Acteson & Mr. C. Then I hooked up with John Rush (John Truelove) after he released You Got The Love and we went for it.

I’m pretty sure we used Cubase & a Casio FZ1. We sampled 5-6 loops of Phuture and I spun Art Of Noise in live. Same for the flip ‘Mister’ – you can here some slidy finger work on the SL1200 as Gregory Isaacs was hard to keep in time. The engineer, Jolly James (Colin James) really was ace and kept the thing together.

John Truelove tried to get an official release together with Seal singing but Art Of Noise said no – good or bad thing I don’t know? thanks for the interest Scott.”

Three tracks on the release:

·Track A is a mix of Gregory Isaacs – Mr Know It All with drum loops from a Dutch house 12″, an acid sample taken from Arthur Baker And The Backbeat Disciples ‎- Silly Games and a programmed bassline.

·Track B1 is a mix of Phuture – We Are Phuture and The Art Of Noise – Moments In Love (Beaten).

·Track B2 is a mix of The MD Connection – The M Rules and Booker Newberry – Take A Piece Of Me.

The B side has a perfectly looped Acid locked groove sampled from No Smoke – Africa in the runout.

Only 1000 copies pressed.
Cat.no. derived from runout etchings.
The ✿ symbols in runouts represent the Truelove logo.

Rhythm Doctor continues to DJ, create and release music on his new label Almost Unknown.